Reviews by arkkangabriel

These days finding a job that involves terror and situations that lead to reflection is quite difficult. Usually we find stories illogical or insane where paranormal beings killed five to seven young interlopers with more reasons known to the viewer to be in the wrong time and place, useless argument despite its variants and worn. This leads to apathy and predictability of scripts that flood the cinemas.

The box office success of "28 Days Extermination" I think that is due to a commendable justification, as to the existence of zombies in England. People spread by contact with infectious fluids integrity (quite original), in which the sense of survival is latent and everything important for the development of peoples (the material) is insufficient. The virus as an antagonist is not the only to evade, also unconscious, recklessness and ideas premature retrograde and conservation of the species by some characters.

With rooms full of desolation, stars sad, apathetic and little hope, formidably music adapted, dynamic scenes, a fascinating climax players a way to a remarkable career, we have an approaching reality.

Dany Boyle omitted the formula, with a smaller budget and achievement obtained was defined as success and credibility as a director, becoming distant from his debut (Trainspotting) and its failure to Holliwood (The beach).

We are without any doubt to the terrifying masterpiece of the genre, perhaps because the protagonist of the film is the same fear, the cause of evil, the fear, the devil. Based on a novel, based on true events, by William Peter Blatty, William Fredelink makes all a reflection of a theme that is and inherently difficult to raise and bring to the screen, but it gets Fredelink without falling too free exhibitionism.
We must highlight a cast of actors which are all superb, first Max Von Sydon who plays his character with almost startling reality. A Ellen Brustin this undoubtedly one of his best performances. A Jason Millar on the skin of a very complex and difficult to interpret. And Linda Blair, which I would say he did here the only good part of all his movies to come.
I think the film gives us a very accurate, theologically speaking, than it is an exorcism and what is a possession. For example indications Father Merrin doing before exorcism are very correct to the original ritual, "it is important to avoid dialogue with the devil, is a liar, and lies mixed with truths to attack, his attack is psychological Damian and very strong, so do not listen to him. "
It is a film that raises the issue of evil with a seriousness and theological correctness which is unusual in this genre which tends to fantasize. It is total agreement presenting the devil as the father of lies and is correct as we are presented the way they act, using people through obsession and manipulating memories and feelings of others to harm or deceive.
In the edition of the "Director's Cut", which I must say that the dub that got lost enough quality with respect to previous scenes are included, among others, very significant, such as when sitting rest Merrin and Karras Merrin on the stairs and in the key given in relation to the target of evil; "what you want is that despair, that we see ourselves as animals, we lose faith in the possibility that God could love us."
It is also worth noting the soundtrack and scenery that are portentous and provide a climate of fear like you've never seen. Definitely a masterpiece that gives us the right way and the wrong item of

Pazuzu is king of the demons of the wind, son of god Hanbi in Sumerian mythology, Assyrian and Akkadian. To the Sumerians, also represented the southwestern wind, bringing storms, and the bringer of pestilence and plagues, of delirium and fever.
He is often represented with the body of man or dog lion's head, goat's horns on his forehead, bird claws instead of feet, two pairs of wings of an eagle, tail of a scorpion and snake-shaped penis. It is also often shown with the palm of the right hand up and left down. This hand position symbolizes life and death, or the creation and destruction.
In ancient Sumerian civilization Pazuzu was one of the Seven Evil Demons, and was summoned to return to the underworld did other evil demons. Although Pazuzu in principle be an evil, was not altogether hostile to man, as his image was used in amulets to ward off enemy Lamashtu his consort, a female demon that fed newborns and their mothers. This amulet was placed in both the mother, leading to the neck, as in the child, while larger ones were placed on them on a wall.
Pazuzu is king of the demons of the wind, son of god in Sumerian mythology Hanbi, Assyrian and Akkadian. To the Sumerians, Also Represented the southwestern wind, bringing storms, and the bringer of pestilence and plagues, of delirium and fever.
He is Often Represented With The body of man or dog lion's head, goat's horns on his forehead, bird claws instead of feet, two pairs of wings of an eagle, tail of a scorpion and snake-shaped penis. It is shown Also Often With The palm of the right hand up and left down. This hand position Symbolizes life and death, or the creation and destruction.
In ancient Sumerian civilization Pazuzu was one of the Seven Evil Demons, and was Summoned to return to the underworld did other evil demons. Although Pazuzu in principle be an evil, was not altogether hostile to man, as his image was used in amulets to ward off enemy Lamashtu his consort, a female demon That fed newborns and Their mothers. This amulet was Placed in Both the mother, leading to the neck, as in the child, while larger ones were Placed on them on a wall.
the question is who makes a wind demon, required to hold people on earth, the answer is sencialla, condemned him as a traitor Satan like many fighting ancient demons before him, but pazuzu not completely lost their powers and is still willing to fight

The need to recover some of his powers, making ahcerse with souls, is a bit complicated but it is as if the energy {ia vital to keep it alive other

First thing in the morning. Rush Hour, for more detail. Searing heat. I gather there is no air conditioning in the car. Dress shirt and tie, short hair, almost military and black-rimmed glasses that give a true intellectual air. It's in a monumental traffic jam on the highway. One might think that it will work, but does not work for a month. He just wants to go home ... and we are preventing. Who? Everyone. In his own way. The truth is not a very smart choice to cross his path. Today is a Day "silly". One of those days where one wrong answer can make you lose the few nerves that remain. And it takes to lose. D-FENS.

This is the first impression I have when I see the first three minutes of the film. Michael Douglas says nothing. And yet, says it all.

Do not want to reveal too much of the plot, only that it is a film that prefers to messages.

Douglas plays a man who has lost everything because, in part, feels special propensity toward violence. Funny, but I never found the most violent character of the film. His fury is, say, "defensive." It is their way of responding to violence that beats in every corner of the street. His form of revenge on society that has polite.

The film raises a number of situations in which Douglas has a chance to awaken the demon within, proving to be a victim and monster at a time, while sowing chaos throughout the city attracting her trail to a peculiar police investigator who is in his last day of work (Robert Duvall).

I recommend it in general. I think it's a film that deserves to be seen, not only by the great performance by Michael Douglas, but by the memorable sequences that take place throughout the film (see what you can do a maniac in a burger with a TEC-9 ). And again, look at his message. It would be a 10 if I did not have an ending as conventional.

The music for me is a passion created from the depths of the soul and the darkness, the raven represents an act of justice, revenge covered not easy to define, because I have suffered the penalty themselves and others and that pain has no limits

The warrior souls who seek justice at all costs are known as crows, capable of changing the world for better or for worse, I have seen good people doing bad things and bad gnete doing good things in this world of shadows and ghosts sides not yet defined, but the convictions if

Sam Raimi undertook his assault on Hollywood with this excellent action thriller, where he maintained his characteristic style brands getting both a fully commercial product and some spectacular.

Based on a screenplay by Chuck Pfarrer good that integrates elements of classical tragedy (the emotional and impossible love story between the two main characters), the horror film from Universal (disfigured scenes ¨ ¨ monster in his lair), and tormented superhero comics (with a score ¨ ¨ reminiscent of Danny Elfman too much to work for Burton's Batman) without losing cohesion dramatic Raimi imposes a breakneck pace to the narrative and visual unleashes his usual frenzy, using all kinds of formal resources when designing the magnificent action sequences (as cartoonescas and exciting as in his three previous works, but with a vastly superior budget, like for instance the helicopter chase hilarious).

The two main characters (a very popular yet Liam Neeson and Frances McDormand) is credible and it certainly makes the viewer empathize, and Larry Drake semidesconocido made a superb villain who gives a menacing and powerful presence. On the technical side, say the makeup is excellent and provides a terrifying the lead character, but the visual effect, once considerable, have become somewhat outdated. Rounding out the play, the end is fully satisfactory and courageous, morally ambiguous, and gives us a tremendous cameo by Bruce Campbell (malicious puja by the director to the producers, who did not admit the first proposal to hire his friend Bruce as protagonist of the film).

In summary, we can say yes to the first two parts of Evil Dead ¨ and ¨ ¨ ¨ Crimewave American director established himself as a talented visual juggler holder black humor bombproof, Darkman served, in addition to open a gap between the big studios, to be confirmed as a storyteller of the first order, getting one of the most entertaining action films, enjoyable and compact 90. Fully Recommended

Good, very good this new version of "the man in the iron mask", for me the best ever made​​. I guess a lot of blame for this lies with the star cast that is, the direction. A film that is more entertaining, the director manages slope having the viewer of the display continuously, no fluctuations throughout, achieving a total antención. More remarkable direction. As for the performances to say. Even the names of the protagonists themselves enough. John Malkovich, Depardiu Gerar, Jeremy Irons, are big stars who have already proved everything on film and here again show part of his great talent with impeccable performances only. The star, Leonardo DiCaprio, what about him. It's a movie star and his youth. Ised two roles in this film, which is very difficult considering that the two characters are twins, but makes the viewer realize at all times of who is who and why is not easy. The final film is very good, is a new adaptation of the famous book very well performed by all. A greeting.

The Professional (Léon) 'is an action movie very well shot, although in a very particular, considerably violent and somewhat entertaining. It has a touch of humor and is based on the charisma of its performers, more like visual impact as complete performances. But the element that makes it stand out is the inclusion of that child and teenager, going from innocent to move like a real Lolita causing the adult character and feelings in the viewer knows to refuse. That courage when living on the border in the moral, not only sexual issue, but for the exercise carefree of criminality on the part of some supposed "good". If you can choose the viewing, highly recommend the extended version, but can be rather long, has a sense that the topping-or, we might say, without departing far from reality, "censored"-is lost almost complete. After all these years, the film still looks great and probably still the most enjoyable of Besson.

The Raven "is a perfect film in terms of production. But it is impossible to separate the tragic event that led to the death of Brandon Lee, the protagonist. This inevitably adds a feeling of depression and sadness that is surprisingly essentially captured by the film.

"The Raven" is also sentimental about where you see him. The Director Proyas Alexander undertook to inject life itself through dialogues of all types, memorable performances, and unforgettable images.

The look is a little gothic and neo-noir, which perfectly captures the theme and concepts. The camera angles and editing are first-rate. We have a talented director who knows how to do their job by providing a unique style.

The gothic atmosphere is brilliant, totally captures the feeling of the event. We scenes brilliantly sinister scenarios so obscure that it is impossible not to feel part of them. Thanks to photography that presents a major role shadows and dark scenes but "on" (as the antrum), we are part of a sunken Edison for its criminals. The love story also serves as part of vital importance since it is the one that handles the actions of the protagonist.

This story, specifically the script, could be seen as directly as our avenger Terror comes from the grave to avenge his death and that of his fiancée. But the way it is decorated with beautiful images, poetic tone, and the explanation of how the crow is the link to the world of the living with the dead, which generates all becomes a kind of myth.
 
The flashback scenes are truly important and is one of the clearest examples of how this resource when properly performed, performs excellently to explain why the feelings that border Eric to "return". These moments seem a grunge MTV Video noventero but more violent and explicit. Seeing a woman being raped wedding dress is very 90's rock but not pleasant.


There are moments I will never forget. For me, the most poetic and symbolic moment is when Eric walking in the street watches as several children in Halloween costumes walking in slow motion towards him. Eric smiles broadly and as if this scene was of great satisfaction to him. Totally radiant and emotional moment. I put the hair "Chinamen". The word "haunting" in English describes best what I mean.

Another sequence totally emotional, sad but powerful is when Shelly is dressed in white and stands next to Eric when he is on top of his grave. Moment ghostly and radiant. I could not help feeling choked throat. Totally romantic but in an unconventional way.

The way Eric turns the figure of a raven on the floor is bright. Without words.

The criminals meeting in which Eric bursts is the style of a John Woo film. Vibrant shootout with humor.

All death scenes through which Eric exacts revenge are made to perfection. You'll feel relieved deserved it takes its revenge.
Style also places "The Pit", a place underground rock seemed vibrant. It gives a special style to the story is very dark but also reminds us that we are in the 90's. Pure grunge.

Nor go unnoticed times when Eric comes out of nowhere to talk with the police and with Sarah, especially when she doubt that he still wants.

The outcome seems to deserve more intensity but still satisfying.

The acting is just brilliant. Brandon Lee gives a sublime performance, powerful, the way we live and relive moments of extreme sadness and anger, and how you choose to hunt their killers is pure adrenaline for the hearing. I live with him. It seems that he knew his death was near and therefore the importance of this role is historic. He was born for this role. I'll never forget.

Even call me crazy, but I think his performance greatly influenced by that of Heath Ledger, starring The Joker, The Joker in "The Dark Knight". Christopher Nolan certainly took some tips from this movie.

Rochelle Davis as Sarah is only good. The girl I think I could give a more complex role. I liked his relationship with Eric and the Detective. A child is the purest expression of innocence in a plot so dark.

Ernie Hudson is perfect in his role of Police. Sure, the guy adds comic relief and thanks to the typical cliches of police-black-funny. Her relationship with Eric breaks the tension a bit and that's always good. The moment you have contact with Eric for the first time I find a delight. The way the camera moves around with Police bluesy music in the background seemed tremendous. I also think that "The Dark Knight" I copied some moments this partnership between the protagonist and the police, as with Batman and Gordon. Like when Eric disappears without warning and the cop says "I like to do that", or something similar.

I liked Jon Polito as Gideon dirty, who has a memorable moment to talk to Eric, after reading an excerpt from "The Raven" by Edgar Allan Poe.

Michael Wincott gives a special definition of the word "cool". I like his look and his voice intimidating. The hair is a bit ridiculous but his personality looming gives a special touch as the main villain. Good use of a samurai sword!. His words "Greed is for amaterus. Disorder, chaos, anarchy. That's fun." are the perfect description of a criminal of his stature.

Bai Ling is fantastic and I appreciate the fact that you wear that show her curvaceous figure and sexy. His role is of little consequence as the goth girl but hey, it is explained by the relationship of the crow with life and death.

Sofia Shinas not have much screen time but her beauty and personality are truly intriguing mystery, attention.

David Patrick Kelly, Angel David, Michael Massee, and Laurence Mason stand out as sadistic criminals who are after the object of Eric's revenge. The types look like some real idiots saying things like "let's burn everything" and celebrate. When they encounter the karma, the fun is set aside. Very good actors!.

Tony Todd, best known as Candyman, has a small role but their presence is impossible to ignore. Always comply with their cameos.

The values ​​shown little succor that this film are revenge and justice, justifiably applied according to the basic rules of life and death.

The action is tremendous, plain and simple, but very good. We explosions, bullets, fire, etc. There is everything for which we love to share.

The music soundtrack is great thanks to the rocker. We vibrant rock tunes with artists like The Cure, Nine Inch Nails, Violent Femmes, and Stone Temple Pilots, who provide "Big Empty", the winning song as best song on the MTV Movie Awards 1994.

"The Raven" is a film that will capture your attention and mesmerize you and then get involved in their world. Be tempted by her pictures, colors, light, dark, and sound.

Negatives?? Probably Eric absurd power to see through the mind of Detective. What the fuck are seeing "Ghost: The Shadow of Love?". I would have also liked to know a bit more about Top Dollar, totally interesting character that had more potential. Anyway, these are details that can easily ignore.

A perfect film as I mentioned, it is inevitable that you generate sadness. But in the end you will be fully satisfied. A unique experience.